Pink And Brown Polka Dot Cupcake

"Jean Paul Sartre: a woman's face is the source of a great philosophy."

There is a woman's face that always accompanies a man should be. And 'what we know to be a woman, a great woman, a great writer and a great philosopher Simone de Beauvoir, Jean Paul companion. We know this from one of the volumes of his famous autobiography, sketch of an entire era: La Force de l'age. It 's you that there is also involved in the origin and the evolution of both the thought of the philosopher of the twentieth century as their own. The core concept of Sartre's philosophy stemming from Husserl - that intentionality - that Sartre Raymond knew thanks to my friend Aaron, the great sociologist, and develop in its own way in The trascendance de l'ego and above it being and nothingness, owes much to a woman's face. This is not that of his partner, but another, a famous face, labeled by some "metaphysical", that of Durer's Melancholia. E 'in this time the young Sartre recognizes the fundamental feature of existence of man: the incompleteness. Man is the being who is not and can not be the foundation for himself, if he were God would intenzionalizzante Man is structurally, but what he knows may know only as intenzionalizzato. But he is by nature intenzionalizzante that is transcendent, but structurally, therefore, necessarily free and therefore responsible. But the world may know, the others, and even himself only intenzionalizzandoli, so oggettizzandoli, "petrified". E 'therefore impossible for man to rely on himself. And the man is aware of this. Is conscious of its finitude. The man is structurally designed and transcendence and to the foundation: this is his "passion". The Melancholy is all about. This is the metaphysical expression of that face. It 'a face that has long engaged the mind of the young philosopher, to the point that it was devoted to the title of the most famous of his novels The melancholia, but it was the publisher Gallimard to impose the title under which it will forever be known: nausea. In 2005 I bought a copy. The publisher - always Gallimard - perhaps he wanted to pay homage to Jean Paul later: the cover, under the title, leads to full-page picture painted by pinctor optimus, the image that was the origin of the work.

francesco Latteri Scholten.